Time is running out to pick your favorite painting on view before George Rodrigue: The Cajun Landscape closes on February 10, 2019.
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Exhibition
Time is running out to pick your favorite painting on view before George Rodrigue: The Cajun Landscape closes on February 10, 2019.
Read MoreThe art of Carrie Mae Weems: The Usual Suspects has offered a window into contemporary challenges. Since opening on April 12, exhibition audiences have reflected and had meaningful dialogue with fellow community members.
Read MoreDiscover the recent changes in the Art in Louisiana exhibition and the student artworks they inspired.
Read MoreThe Advocate's Robin Miller on Confluence by Jerry Uelsmann.
Read MoreArtists and recent LSU alums Justin Tyler Bryant and Christopher Burns set out to create a body of images as a shared response to Carrie Mae Weems' exhibition, Carrie Mae Weems: The Usual Suspects, at the LSU Museum of Art.
Read MoreinRegister's Kelli Bozeman gets a preview of what to expect in the Collection Spotlight: Angela Gregory exhibition.
Read MoreWe asked a few Baton Rouge-based artists to share the impact Robert Williams has had on the work they produce today.
Read MoreThere are tons of details to examine in the pop surrealist work on display in Robert Williams: Slang Aesthetics. Stop by before the exhibition closes on June 17 and share your favorites by tagging LSU MOA on Facebook, Twitter and Instagram.
Read MoreWe asked a few Baton Rouge-based artists to share the impact Robert Williams has had on the work they produce today.
Read MorePelican Bomb's Dillon Raborn on Robert Williams: Slang Aesthetics.
Read MoreThe Advocate's Robin Miller on Carrie Mae Weems: The Usual Suspects.
Read More225's Benjamin Leger sits down with curator Courtney Taylor to discuss Carrie Mae Weems: The Usual Suspects and the work of Weems on display in Art in Louisiana.
Read MoreThe Advocate's Robin Miller takes a look at Robert Williams: Slang Aesthetics.
Read MoreDorothea Tanning’s Personne (Nobody) has proven to be one of the most popular pieces included in LSU Museum of Art’s exhibition Bonjour | Au Revoir Surréalisme. The book contains nine etchings each cut into three horizontal flaps that allow the head, torso, and trunk of a body to be recombined into a total of 729 figures—729 exquisite corpse figures.
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