Dorothea Tanning’s Personne (Nobody) has proven to be one of the most popular pieces included in LSU Museum of Art’s exhibition Bonjour | Au Revoir Surréalisme. The book contains nine etchings each cut into three horizontal flaps that allow the head, torso, and trunk of a body to be recombined into a total of 729 figures—729 exquisite corpse figures.
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We interviewed Education Curator, Rebecca Franzella, about her educational projects related to Martin Payton's exhibition Broken Time: Sculpture by Martin Payton.
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Since LSU Museum of Art is a university museum, one outcome I hope for most when organizing an exhibition is for students to deeply connect with work, and find relevance to their studies. This fall, the stars aligned with Broken Time, an exhibition of Martin Payton’s welded steel sculptures, and two classes led by LSU art professor Malcolm McClay.
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One of the newest pieces in the Broken Time exhibition is Martin Payton's untitled installation. Learn how it was created, how we got it to the museum, and what it means.
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LPB's Art Rocks visits with Martin Payton to discuss his work and process, and what inspires him.
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Currently on display as part of this recurring series of collection spotlight exhibitions is this large-scale Flemish painting, Ecce Homo in the Marketplace.
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This year's Shaw Center for the Arts Christmas tree holds a new element: over 500 ceramic ornaments handmade by middle and high school students of the Louisiana State University Laboratory School.
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Nedra Hains has been a longtime supporter of both the arts in Baton Rouge and the role the LSU Museum of Art plays in our community.
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Since NAP began serving the Eden Park area, Moss has seen several children develop an interest in the arts, often seeking out ways to further their newfound skills. But when talking to parents, she learned that the children are embracing more than just their artistic side.
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With the holiday season approaching, we have tons of great opportunities at the LSU Museum Store for you to grab the perfect gift for anyone on your list that not only helps bolster our local economy but also celebrates our homegrown talent.
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The Advocate's Robin Miller visits Martin Payton's studio to get insight on his work on display in Broken Time: Sculpture by Martin Payton.
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The LSU MOA staff dives into surrealism and selects a few of their favorite prints on display.
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Country Roads' Erin Rolfs takes a closer look at the work of Martin Payton. (Photo by Lucie Monk Carter)
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The Daily Reveille's Katie Gagliano goes inside the experiential learning opportunity for LSU art history students in conjunction with Bonjour | Au Revoir Surréalisme.
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