Since LSU Museum of Art is a university museum, one outcome I hope for most when organizing an exhibition is for students to deeply connect with work, and find relevance to their studies. This fall, the stars aligned with Broken Time, an exhibition of Martin Payton’s welded steel sculptures, and two classes led by LSU art professor Malcolm McClay.
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One of the newest pieces in the Broken Time exhibition is Martin Payton's untitled installation. Learn how it was created, how we got it to the museum, and what it means.
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LPB's Art Rocks visits with Martin Payton to discuss his work and process, and what inspires him.
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Currently on display as part of this recurring series of collection spotlight exhibitions is this large-scale Flemish painting, Ecce Homo in the Marketplace.
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The Advocate's Robin Miller visits Martin Payton's studio to get insight on his work on display in Broken Time: Sculpture by Martin Payton.
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The LSU MOA staff dives into surrealism and selects a few of their favorite prints on display.
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Country Roads' Erin Rolfs takes a closer look at the work of Martin Payton. (Photo by Lucie Monk Carter)
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The Daily Reveille's Katie Gagliano goes inside the experiential learning opportunity for LSU art history students in conjunction with Bonjour | Au Revoir Surréalisme.
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We asked two LSU School of Art students, Eli Casiano and John Alleyne, to visit the exhibition Reflections: African American Life from the Myrna Colley-Lee Collection and create their own piece inspired by the work on display.
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African American artists in the early to mid-19th century were often concerned with the question of how African Americans should be represented in artwork.
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The Daily Reveille's Katie Gagliano explores Reflections: African American Life from the Myrna Colley-Lee Collection. Click here to read the article.
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In preparation for LSU MOA’s upcoming exhibition of Martin Payton’s sculpture, curator Courtney Taylor sat down with Martin Payton to discuss his life, his experiences, and his art.
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225's Benjamin Leger talks with curator Courtney Taylor about Romare Bearden's collages on display in the Reflections: African American Life from the Myrna Colley-Lee exhibition.
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The hairs on the back of my neck stood on end when I learned that Julie Heffernan’s LSU Museum of Art exhibit would be titled When the Water Rises.
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