inRegister's Kelli Bozeman gets a preview of what to expect in the Collection Spotlight: Angela Gregory exhibition.
Read MoreinRegister: On exhibit: Angela Gregory at LSU Museum of Art →
225: 2018 Best of 225 awards →
225 readers selected LSU MOA as the "Best Place to See Art" in their annual Best of 225 Awards. (Photo by Raegan Labat)
Read MoreAccessing the excess with Brent Houzenga
in Museum Store
Visit the LSU Museum Store today to purchase prints from New Orleans artist Brent Houzenga, including selections from the Left Handed for a Year series, stickers, buttons and more.
Read MoreInspired by Robert Williams: Jonathan Mayers
in Exhibition
We asked a few Baton Rouge-based artists to share the impact Robert Williams has had on the work they produce today.
Read MoreA closer look at Robert Williams: Slang Aesthetics with the LSU MOA staff
in Exhibition
There are tons of details to examine in the pop surrealist work on display in Robert Williams: Slang Aesthetics. Stop by before the exhibition closes on June 17 and share your favorites by tagging LSU MOA on Facebook, Twitter and Instagram.
Read MoreInspired by Robert Williams: Kelsey Livingston
in Exhibition
We asked a few Baton Rouge-based artists to share the impact Robert Williams has had on the work they produce today.
Read MorePelican Bomb: Unsophisticated: Robert Williams at the LSU Museum of Art →
Pelican Bomb's Dillon Raborn on Robert Williams: Slang Aesthetics.
Read MoreThe Boston & Sandwich Tea Party
Today, tea drinking status symbols generally consist of Starbucks to-go cups, but in early nineteenth century America wealth was conveyed by spending money on a variety of table items which were each used for one very specific purpose, such as cup plates.
Read MoreThe Advocate: Carrie Mae Weems challenges systematic violence against black men in "The Usual Suspects" at the LSU Museum of Art →
The Advocate's Robin Miller on Carrie Mae Weems: The Usual Suspects.
Read More225: New visions meets blurred visions with Carrie Mae Weems’ works at LSU Museum of Art →
225's Benjamin Leger sits down with curator Courtney Taylor to discuss Carrie Mae Weems: The Usual Suspects and the work of Weems on display in Art in Louisiana.
Read MoreDiscovering a passion
in Museum Store
Each item Shirley De’vard creates is largely inspired by the world around her, translating color palettes she sees in everyday life into her unique statement jewelry.
Read MoreThe Advocate: 'Godfather' of lowbrow, pop surrealist art ignited a movement that's still popular →
The Advocate's Robin Miller takes a look at Robert Williams: Slang Aesthetics.
Read MoreDorothea Tanning and Georges Visat’s 'Personne'
in Exhibition
Dorothea Tanning’s Personne (Nobody) has proven to be one of the most popular pieces included in LSU Museum of Art’s exhibition Bonjour | Au Revoir Surréalisme. The book contains nine etchings each cut into three horizontal flaps that allow the head, torso, and trunk of a body to be recombined into a total of 729 figures—729 exquisite corpse figures.
Read MoreMuseum education collaboration with Martin Payton
in Exhibition, Education
We interviewed Education Curator, Rebecca Franzella, about her educational projects related to Martin Payton's exhibition Broken Time: Sculpture by Martin Payton.
Read MoreFrom the galleries to the classroom
in Education, Exhibition
Since LSU Museum of Art is a university museum, one outcome I hope for most when organizing an exhibition is for students to deeply connect with work, and find relevance to their studies. This fall, the stars aligned with Broken Time, an exhibition of Martin Payton’s welded steel sculptures, and two classes led by LSU art professor Malcolm McClay.
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