Get one last look at Total Immersion: Water and the Louisiana Landscape before it closes this Sunday, February 20, 2017.
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Get one last look at Total Immersion: Water and the Louisiana Landscape before it closes this Sunday, February 20, 2017.
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Celebrate the future of our community and the arts in Baton Rouge through this special exhibition on display February 12 through March 19.
Read MoreTake a closer look at the space created in the Everlasting Calm exhibition.
Read MoreThe Daily Reveille's Rachel Rathle talks with curator Courtney Taylor.
Read MoreThe Advocate's Robin Miller takes a look at the 21 sketches on display through January 31.
Read MoreLearn how you can participate in making the permanent collection increasingly relevant to and representative of the museum's audience.
Read MoreThe Arts Council of Greater Baton Rouge's Mina Estrada discusses upcoming programs and exhibitions with curator Courtney Taylor.
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Conrad Albrizio (American), 1894–1973, New Orleans Union Passenger Terminal Mural Study—"Age of Exploration" and "Age of Colonization," c. 1954, watercolor, graphite on paper, LSUMOA 2005.2.3
The sketches, currently on display through the end of January in the Gill Hamilton gallery, illustrate Albrizio's two-year design process.
Read MoreThe LSU Museum Store is stocked full of unique, unforgettable gifts that will help your holiday shopping this season.
Read MoreinRegister's Kelli Bozeman takes a look at the art of Elliott Daingerfield.
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With the holidays rapidly approaching, you’ve surely started to think about what you’ll be giving your loved ones. What’s a better gift than giving back to your community?
Read MoreOne of the most striking features of the “Painting Enlightenment” exhibition is the sixteen-foot wall with gold Heart Sutra text descending downward like rain.
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The Arts Council of Greater Baton Rouge's Mina Estrada discusses the Line 4 Line program with educator Lucy Perera and barber O'Neil Curtis.
Read MoreOne design element that seemed essential to our exhibition of Japanese scrolls was a zen garden. So long as I met the aesthetic rules required of zen design by our guest curator Paula Arai, working out the construction according to museum standards was the next hurdle.
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