Press release
State of the Art: Record artist Jenelle Esparza will be at the LSU Museum of Art for a series of museum and community programs on June 16 and 17 including a Museum Open House en Español with activities, gallery talks, a free educator workshop, and a closing reception. Learn more in this press release.
Read MoreBlurring Boundaries is on view at LSU Museum of Art July 14–October 23, 2022. Click to read the full press release and learn about upcoming programs.
Read MoreNedra Davis Hains promoted to Deputy Director of the LSU Museum of Art. Read more in this press release.
Read More
IMAGE (above): Marcel Pardo Ariza, Linda, Lee & Dorsey, Louis (1988, 2018), 2018, mounted inkjet print, ash artist frame, Twilight Blue paint, 58 × 29 in., Courtesy of the artist
State of the Art: Record from Crystal Bridges Museum of American Art Opens March 10 at LSU Museum of Art. Read the full press release.
Read More
LSU Museum of Art is excited and honored to have won two bronze awards in the Southeastern Museums Conference 2021 Publication Competition. LSU MOA won for our Art Talk publication and our 2019-2020 Annual Report.
Read More
Candice Lin, La Charada China (Tobacco Version), 2019, cement with casein paint, welded steel table frame, tobacco, ceramics, distillation system (distilling a tincture of tobacco, sugar, tea, and poppy), poppy pod putty, sugarcane, white sugar, cacao, sage, ackee, oak gall, Anadenanthera, dong quai, California clay, Dominican Republic clay, metal parts, bucket, pumps, tubing, dried indigo, glass slides, bottles, drawings, tile, rubber, wood, Courtesy of the Artist and François Ghebaly Gallery, Photography by Ian Byer-Gamber
Candice Lin: The Agnotology of Tigers opens October 20, 2021 / This year's collaboration with the LSU School of Art features visiting artist Candice Lin. Her exhibition, The Agnotology of Tigers, will feature recent works based on archival images from LSU (Chinese Bandits) alongside a new configuration the installation La Charada China. Lin’s installation illuminates’ histories of social violence and a politics of forgetting that obscures the history of indentured Chinese labor and lingering stereotypes.
Read More
