Our curator, Courtney Taylor and curatorial assistant, Olivia Johnson speak with the Arts Council of Baton Rouge about our current exhibitions: Adore | Adorn: The Elsie Michie Contemporary Jewelry Collection and Semblance: The Public/Private/Shared Self
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Red Lincoln (Po Boys) is a 2007 work by Skylar Fein that currently hangs in the contemporary gallery at the LSU Museum of Art. As an artist and self-identified amateur historian, Fein creates installations that grapple with the importance and complexities of LGBTQ history—to “do” queer history means to wrestle not only with facts and evidence but also with speculation and resistance.
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You may be seeing messages about LSU MOA’s upcoming exhibition Adore | Adorn: The Elsie Michie Contemporary Jewelry Collection and wondering what you will see. Elsie Michie, a professor of English and Associate Dean of The College of Humanities and Social Sciences at LSU, doesn’t merely collect new jewelry, but a certain type: art jewelry.
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Time is running out to pick your favorite painting on view before Across the Atlantic: American Impressionism through the French Lens closes on June 9, 2019.
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Have you visited our current exhibition Across the Atlantic: American Impressionism through the French Lens? While the works featured are overwhelmingly landscapes, one gallery focuses on figurative works, including several portraits of and by women.
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225 Magazine features LSU MOA’s upcoming exhibition Across the Atlantic: American Impressionism through the French Lens.
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InRegister Magazine tries out LSU MOA’s monthly second Saturday yoga in the gallery session.
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The Daily Reveille covers LSU MOA exhibition Katrina Andry: The Promise of the Rainbow Never Came.
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BURNAWAY: The Voice of Art in the South covers LSU MOA exhibition Katrina Andry: The Promise of the Rainbow Never Came
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See the progression of the printing process and the steps involved as Andry brings her vision to life on paper.
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Time is running out to pick your favorite painting on view before George Rodrigue: The Cajun Landscape closes on February 10, 2019.
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The art of Carrie Mae Weems: The Usual Suspects has offered a window into contemporary challenges. Since opening on April 12, exhibition audiences have reflected and had meaningful dialogue with fellow community members.
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WYES takes a look at New Orleans native Caroline Durieux, one of the preeminent printmakers of the 20th century.
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Discover the recent changes in the Art in Louisiana exhibition and the student artworks they inspired.
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The Advocate's Robin Miller on Confluence by Jerry Uelsmann.
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