Upcoming Exhibitions


Bonjour | Au Revoir Surréalisme

September 28, 2017–March 25, 2018

Untitled, Max Ernst, 1972, 1/1, etching with aquatint

Untitled, Max Ernst, 1972, 1/1, etching with aquatint

On loan from the family of master printer, painter, and poet Georges Visat, this exhibition is composed of over 60 prints by iconic Surrealist artists who collaborated with Visat’s publishing house. Visat, who began frequenting artists of the historical avant-garde during the immediate post-war years and founded Éditions Georges Visat in 1962, established his presses in the traditional Parisian art district of Saint-Germaine-des-Prés. Included in the exhibition are graphic works by Max Ernst, Dorthea Tanning, René Magritte, Man Ray, Hans Bellmer, Roberto Matta, and Francis Bacon, among others. While Surrealism developed and reached its height between the world wars, Visat’s activities as Surrealist printmaker peaked in the 1950s and 1960s. Aware that Surrealism seemed to lose momentum in the 1950s, artists such as Visat’s close friend and collaborator, Max Ernst, sought to revive the movement. The exhibition includes works by early Surrealists as well as those who sought to reinvigorate the movement in the 1960s. Also included are illustrated artists’ books with Surrealist poetry, a specialty of Georges Visat, who had a profound understanding of Surrealism’s literary foundations.
 
Exhibition support is provided by The Imo N. Brown Memorial Fund in memory of Heidel Brown and Mary Ann Brown, Louisiana CAT, and L. Cary Saurage II Foundation.


Broken Time: Sculpture by Martin Payton

October 19, 2017–February 11, 2018

Broken Time: Sculpture by Martin Payton features 30 steel sculptures by local sculptor Martin Payton. The exhibition focuses on Payton's recent work: his sculpture created in the last twenty years represents his most sophisticated improvised compositions. Inspired by New Orleans jazz musicians who maintain African heritage in the form of polyrhythms, chants, and improvisation, Payton maintains the record of use and wear in his material—scrap metal. Payton welds these materials as found, improvising his sparse, lyrical steel sculptures, which are deeply rooted in the modernist tradition.  Striking lines, curves and planes are deepened with nuanced layers of meaning rooted in African symbolism, the African American experience, and jazz. 

The project will be accompanied by a fully-illustrated catalog with essays by LSU MOA Curator Courtney Taylor; LSU Professor and Director, African & African American Studies Program, Dr. Joyce Jackson, Southern University retired art historian Eloise Johnson, and New Orleans poet, editor, and music producer Kalamu ya Salaam.

Born in New Orleans in 1948, Martin Payton currently lives and maintains a studio in Baton Rouge. Payton was a professor of art at Southern University from 1990 until retirement in 2010. He received his BFA from Xavier University and his MFA from Otis Art Institute in Los Angeles. Payton’s work is held in the permanent collections of NOMA, the Amistad Research Center, the William King Regional Arts Center, and the Rosekrans Runnymede Sculpture Garden. In 2002, as part of a collaboration with friend and colleague John T. Scott, Payton constructed the Spirit House, a public art project that celebrated African American contributions to New Orleans by incorporating drawings of area school children into the project.

Generous support for this exhibition is provided by The Imo N. Brown Memorial Fund in memory of Heidel Brown and Mary Ann Brown, Louisiana CAT, the L. Cary Saurage II Fund, and Robert T. and Linda H. Bowsher.