USA 70801
225.389.7200
Hours:
Tue – Sat 10 am – 5 pm
Thu 10 am – 8 pm
Sun 1 pm – 5 pm
Closed:
Mondays
Easter Sunday
Thanksgiving Day
Christmas Eve
Christmas Day
New Year's Day
and all major holidays
Museum Store:
Tue – Sat 12 pm – 8 pm
Sunday 1 pm – 5 pm
Admission:
Museum Members FREE
$5 Adults and Youths 13+
FREE:
University Students with ID and children 12 and under
Edward Pramuk: Seeing Music
On exhibit through July 14, 2013
According to artist and former professor at the LSU School of Art+Design, Edward Pramuk, "Art and jazz share a special connection, [both capturing] emotions that are not possible with words." Seeing Music will feature a series of Pramuk's paintings, collages, and mixed-media works that celebrate the lives and talents of jazz legends.
An Eye on Jazz: Photographs by Herman Leonard
On exhibit through July 14, 2013
An Eye on Jazz features black-and-white masterworks of musical icons Duke Ellington, Louis Armstrong, Chet Baker, and Billie Holiday -- among many others -- mad by Herman Leonard, one of the greatest jazz photographers of all time.
On exhibit through July 28, 2013
Revealed: Exquisite Gowns by Suzanne Perron will feature thirteen bridal and Mardi Gras gowns designed between 2008 and 2013, including gowns worn by queens from some of the most recognized New Orleans Krewes. Some of the bridal gowns were most recently illustrated in Designing in Ivory and White (LSU Press, 2012), with lavish color photographs taken by Jason Cohen
Walter Inglis Anderson: Everything I See Is New And Strange
August 2 - October 20, 2013
Walter Inglis Anderson (American, 1903-1965) illustrated the natural world vividly and with passion. Anderson’s paintings, drawings, prints, pottery, and sculptures capture the flora and fauna of the Mississippi Gulf Coast and continue to captivate the imaginations of viewers over sixty years after their creation. Everything I See Is New and Strange, the retrospective exhibition of Walter Inglis Anderson, was developed by the Walter Anderson Museum of Art in Ocean Springs, Mississippi, and is partially funded by the National Endowment for the Arts’ American Masterpieces program.
